An Account of Durational and Distributed Encounters with Corpus CTR
Abstract
When I was invited to consider archiving and Canadian Theatre Review (CTR) for this issue, I happily agreed, as a performance historian who has both spent time in archives and critiqued the assumptions and power embedded within colonial archives. I admit to a fondness for CTR stemming from my performance in a student production of “This Is for You, Anna” (CTR 43) and the six times CTR has hosted me and some of my collaborators. In recent years, I’ve found CTR to be welcoming—inviting even—and open to creative scholarly writing. As a way of returning the hospitality, I invited the corpus of CTR to cohabitate with me for a few months. I was very interested to see what would happen if we spent some time together while thinking about archives and archiving.
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Copyright (c) 2026 Selena Couture

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